In The Town Of Ballybay

image
I stopped at this pub in Longford, about half way, because I was desperate to take a photograph

Excuse me if I’m a little taciturn and incoherent here, I’ve just driven from my home in Galway to Ballybay in County Monaghan, some 270 km (170 miles). All right, I’m sure that’s not very impressive if you’re the sort of American who drives that far just to find some shade, but it’s the furthest I’ve gone since I learned to drive just a few months ago.

The second furthest I ever drove was around Connemara, yesterday.

I enjoyed it, but now I barely have the energy left to trace out words on the phone screen. And tomorrow, I party all day. So better get a little oblivion time in.

‘Night. x

Mná Mná

Niceol Blue seems to get mentioned on this blog more than any other person. That’s what comes I guess of having a wonderful voice and a computer almost permanently in need of repair – two things I have a weakness for. But she also organizes Mná Mná – Women in Music, a monthly showcase gig for musicians and particularly singers who are female. I’m worried overseas readers won’t get the title. Suffice to say, Mná is the Irish for Women, and is pronounced – more or less – “Mnah”.

It’s been on once a month for almost a year now, but to my shame last night was my first visit. I’ve been missing something good. A thing like this could so easily be what I might call… excessively supportive. But thanks to what I can only guess are hidden reserves of steely ruthlessness, the standards are excellent. Three acts last night, each worth the entrance.

Next month will be a special gig for their first anniversary – definitely one to watch out for. You can sign up for notifications here.

Loosening Up

All right, not usually as loose as this

I must apologise form the infrequency of posts in the last while. That whole girlfriend business didn’t exactly help of course, and I’ve a cartoon commission on that has proven to be much more tricky than expected.

My work usually concerns ideas and words – so much so that at their worst, my cartoons are just two people talking. My drawing, if it can even be called such, is normally minimalistic, loose, and spontaneous. This job is quite the opposite. While still cartoony in style, it’s to illustrate the precise way that certain tools are used (I’ll tell more when the clients have actually published), so suddenly I have to pay enormous attention to tiny details. The tools have to be drawn correctly, they have to be held correctly. Hands! Endless hands. No one likes drawing hands… My own are physically tired now.

And we’ve had predictable communications problems. The clients of course know precisely how the tools are employed. So when they describe what they want, they know what they mean. I merrily walk off with a profound misapprehension of their wishes, and consequently have to discard hours and hours’ worth of entirely useless work. Perhaps I’ll do an exhibition of those later in the year. Under the title “Unnecessary Pictures”, because that will make them sound like art.

But this will be finished shortly – I hope – and I will try to make up for my absence.

Truth In Advertising. Or At Least Verisimilitude

I just saw this TV commercial for Bell’s Whisky, in which an orchestra plays Axel F on tumblers of scotch. Quite cool – except of course you can’t make a tumbler resonate by running your finger around the edge like you can a wine glass.¹ So the whole thing was faked.

OK, you expect things in adverts to be faked. I know cars don’t really turn into dancing robots. Nevertheless I’m strangely offended by this. I’m imagining advertising executives with little or no grasp of physics getting really enthusiastic about their idea. So when someone points out to them that it’s not actually a physical possibility, do they change their minds? No, they carry on as if it’s a physical possibility, and fake the cool thing they can’t actually do. It’s like using camera tricks in a magic performance.

Contrast that with the well-remembered ad for Sony Bravia televisions,² where thousands of coloured balls bounce around what look like the streets of San Francisco. That was beautiful, but I wasn’t impressed because after all it’s easy to do something like that with CGI. Only I found out recently, they didn’t use CGI. They dropped one hundred and seventy thousand coloured balls down hills, in San Francisco. Now that is cool.

 

  1. All right, we could get into an argument about this if you like. I think it might just be possible if you superglued the tumbler to something solid. Half the trick of making a wine glass sing is firmly holding it down with the other hand on the base, otherwise the energy you’re putting in with your finger is wasted on moving the glass around. I don’t think that merely holding a tumbler down is going to work though. Firstly, you can’t properly grip it so it’s going to move around anyway. Secondly you’re holding it by the part you want to resonate, so you’re damping it.
    Even if it was attached with glue though, I’m not sure it would resonate at an audible frequency. Only the sides of the glass would be free to vibrate rather than the whole vessel.
    At least, so I imagine. Science, a range of different-sized tumblers, and a clean Formica work surface are calling to me. I must resist…
  2. [Video] If you have the bandwidth, do watch the HD version.

Take Me To Your Media

Braun HF 1 television receiver, Germany, 1958
This is what my Media Centre PC doesn't resemble most

I’m still hiding in a happy kernel of geekery, away from a cruel and now markedly more expensive world. Much of last night was spent setting up the new old PC as what I expansively call a “Media Centre”. That is of course just fancy talk for a computer attached to a TV, worthwhile though since we got a wide-screen one. (Well, wide-ish.) My mother will appreciate this when she gets the hang of it, but things may be a bit confusing for the transition. I’d barely got her to stop calling the computer monitor “the TV”, now I seem to have arbitrarily reversed my position.

But I’m sitting here writing this on my knees. With a wireless keyboard on my knees, I mean. I’m not on my knees. And to clarify my clarification, I didn’t think that you thought I was writing this column on my knees, with a pen. I have the keyboard on my knees, but the words are appearing on the TV. Which is the sort of thing people liked to do in science fiction films. Cool. And simultaneously – as it is a fairly wide screens – I’m also catching up with episodes of QI on YouTube. (The one with Nina Conti the ventriloquist.)

Ideally the screen would have about four times the area, but this is actually pretty nice. If nothing else, it improves my work posture – from hunched over on the couch to sitting back on the couch. I feel slightly better-off already.

Spontaneous Com… edians

Speaking of spontaneous things in Galway, our own Spontaneous Theatre People have gotten together with two other comedy outfits to form a sort of improv supergroup. I’m having a lazy Sunday, so here’s their press release:

The Make-Up Artists Comedy Improv Tour – “A Tale Of Three Cities”

Hold on to your hats! If you live in Dublin, Limerick or Galway, ‘A Tale of Three Cities’ is coming soon to your City. Following an incredible impromptu ‘improv jam’ session at Electric Picnic in 2010, some of Ireland’s top improvisers decided that there was too much fun to be had to leave it it that.

Plans were hatched, and they decided a three city comedy improv tour was in order. Members of No Drama (Dublin), Choke Comedy (Limerick) and The Spontaneous Theatre People (Galway) have joined forces and become the Improv ‘Supergroup’ known as The Make-Up Artists!

Improv Comedy is an incredibly exciting form of theatre. It is energizing for the audience and performers alike, and no two performances are ever alike.

The Make-Up Artists‘ show promises to be a great night of weird and wonderful comedy antics. All the scenes and games are unscripted, and many are based on the audience suggestions. It will have you on the edge of your seats wondering what could possibly come next, and delighted when you find out what does!

Dublin – Thursday 8th December, Doyle’s Pub, College St
Show starts at 8.30pm, admission €10

Limerick – Saturday 10th December, The Belltable, O’Connell St
Show starts at 8pm, admission €10

Galway – Sunday 11th December, Upstairs @ The Townhouse Bar, Spanish Parade.
Doors at 8pm, admission €7/5

Any additional enquiries, email spontaneoustheatre (at) gmail (dot) com

Spontaneous Com… edians

Speaking of spontaneous things in Galway, our own Spontaneous Theatre People have gotten together with two other comedy outfits to form a sort of improv supergroup. I’m having a lazy Sunday, so here’s their press release:

The Make-Up Artists Comedy Improv Tour – “A Tale Of Three Cities”

Hold on to your hats! If you live in Dublin, Limerick or Galway, ‘A Tale of Three Cities’ is coming soon to your City. Following an incredible impromptu ‘improv jam’ session at Electric Picnic in 2010, some of Ireland’s top improvisers decided that there was too much fun to be had to leave it it that.

Plans were hatched, and they decided a three city comedy improv tour was in order. Members of No Drama (Dublin), Choke Comedy (Limerick) and The Spontaneous Theatre People (Galway) have joined forces and become the Improv ‘Supergroup’ known as The Make-Up Artists!

Improv Comedy is an incredibly exciting form of theatre. It is energizing for the audience and performers alike, and no two performances are ever alike.

The Make-Up Artists‘ show promises to be a great night of weird and wonderful comedy antics. All the scenes and games are unscripted, and many are based on the audience suggestions. It will have you on the edge of your seats wondering what could possibly come next, and delighted when you find out what does!

Dublin – Thursday 8th December, Doyle’s Pub, College St
Show starts at 8.30pm, admission €10

Limerick – Saturday 10th December, The Belltable, O’Connell St
Show starts at 8pm, admission €10

Galway – Sunday 11th December, Upstairs @ The Townhouse Bar, Spanish Parade.
Doors at 8pm, admission €7/5

Any additional enquiries, email spontaneoustheatre (at) gmail (dot) com