The end of an extraordinary day, says the TV man. Did anyone else think so? To me it seemed a let-down; predictable, unchallenging, frequently tedious.
What we were watching was, as reader jonolan put it, theatre. And not even good theatre, unless you count the intervention by the pieman – that at least was unpredictable. Otherwise its sole moment of flair was Assistant Commissioner John Yates’ surrealistic claim to be a postbox.
The prince came across more like a villain, and it was the king who vacillated. He wanted to apologise as profusely and humbly as possible – yet he wouldn’t accept the blame. Such inconsistency in a character strains credulity.
The best you can say for the production is that it was well rehearsed. The Murdochs delivered their lines effectively enough: News Corp is a highly ethical organisation, the News Of The World a completely inexplicable and isolated aberration. It was at least a daring conceit. And memorable – though mainly because they kept saying it at every opportunity.
Then in the last act a whole new theme was introduced. The News Of The World was revealed by Rebekah Brooks to be a crusading journal, focused only on protecting children and the rights of soldiers, a paragon of what newspapers should be. But the transformation hadn’t been justified by anything that had gone before, so it lacked conviction.
That’s what this show needs more of. Conviction. Preferably several.
